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Also it has some kick-ass punk rock on the soundtrack. Now we have the reverse. In Mom and Dad , a mysterious ailment makes caregivers want to kill their own children. It's a gruesome joke, and fortunately Cage and Blair are in on it. Whether or not the film goes too far with this premise, or plays it a little too safe, is up to the viewer, but it's certainly an entertaining dark comedy-horror combo. What it lacks in a supernatural element it's about a group of kids who become convinced that their neighbor is a killer it more than makes up for in mood, tone, and suspense. Plus the young cast can hold its own against the higher profile stars of the aforementioned hits.

It certainly has the same plot, only this time the residence being invaded is a trailer instead of a house. But once the scary stuff hits the screen, this unrelated follow-up not only manages to find its own feet, it delivers a third-act roller coaster that will exhaust mild-mannered viewers. Buckle up. Release date: October 4 Cast: Bront Palarae, Tara Basro, Endy Arfian Director: Joko Anwar Ritual Why it's great: A remake of the Indonesian cult classic of the same name, this creep-fest deals with possession, resurrection, long-forgotten family secrets, and frequent doses of really effective jolts, scares, and gore.

It's also shot really well and boasts a solid sense of humor. Give something outside your comfort zone a shot! This is a pretty old-fashioned tale of a suspicious suicide and an allegedly haunted convent, but it's crafted with obvious care, not to mention affection for the horror matinee classics of the s. Release date: September 7 Cast: Ray Stevenson, David Oakes, Aura Garrido Director: Xavier Gens Frontiere s Why it's great: Fans of The Shape of Water may want to keep an eye out for this tale of a meteorologist who travels to an isolated, deserted island for research, only to discover a Lovecraftian creature who's not quite as dangerous as she looks.

Gens, known for some brutal genre fare of the past, delivers his best film in years. Nelson Why it's great: Take a good section of The Purge , place it in a post-apocalyptic landscape with a bunch of brutal gangs clearly inspired by Walter Hill's The Warriors , set the whole thing up as an ultra-violent cross-country road trip, and toss in a legitimately worthwhile dash of romance.

Oh, also it's a dark comedy. For a movie composed of so many familiar parts, The Domestics comes off as a surprisingly novel approach to full-bore mayhem. That's what this low-key French import is like. Not huge waves of zombies coming up against machine gun fire; just one guy, trying to deal with the end of civilization, and doing everything he can to stay one step ahead of the damned freaks.

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It's a sparse, calm, and deliberate piece of zombie horror, but it's also rather unexpectedly fascinating. Smartly written and appreciably intense, Mohawk also benefits greatly from its three lead performances. Old-school and eerie, The Lodgers is about a pair of twins in s Ireland who come to accept that their home is haunted. Things get a lot scarier when one of them starts pondering a new life elsewhere.

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Hardcore horror this is not, but if you're a fan of period pieces, haunted mansions, and things that go bump in the night, throw this one on your list. It's not quite as good as The Others but it's right in that wheelhouse. If the goal was to create a cool, creepy, family-friendly horror story in the vein of s The Lady in White , then mission accomplished. And if you love action, check out The Night Comes for Us.

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Holy crap. This one starts out as a "greedy relatives arguing about daddy's money" and quickly transforms into a collection of demonic possession insanity. Here's another rock-solid indie chiller to throw on the list. It's about a kid who slowly becomes convinced that his father is an infamous serial killer who escaped justice years earlier. Strong performances and a smart screenplay keep this potentially familiar tale from ever becoming obvious or redundant.

It's about a former puppeteer who returns home to a dank little town and it's not pretty as his past starts to unravel all around him. The two leads are stellar, there's a consistent sense of gloom throughout, and we get a handful of unexpected visual jolts that are highly creepy. Bonus points for the superlative musical score, which is frequently the secret weapon of many a clever indie filmmaker. Release date: January 5 Cast: Kate Bosworth, Thomas Jane, Jacob Tremblay Director: Mike Flanagan Gerald's Game Why it's great: Though debated by genre purists, this one definitely qualifies as a horror flick in my book; it just happens to be a "soft" horror film with an actual heart that parents could probably watch with their kids.

It's about a couple who adopts a kid whose dreams become physically real while he sleeps. If you're looking for shocks and kills you may want to skip this one for now, but it's actually a very impressive piece of work from a very consistent horror filmmaker. Where to watch it: Stream on Netflix.

It's about a pair of priests who travel to a distant "women's home" and discover all sorts of highly unpleasant things. If you don't like found-footage horror films, maybe give it a shot anyway. Release date: November 16 Cast: Madeline Brewer, Patch Darragh, Melora Walters Director: Daniel Goldhaber Why it's great: At first it feels like an exploitation thriller about a young "cam girl" sex worker being victimized by a stalker, but then it gradually turns into something quite a bit smarter than your basic B-movie fare.

The script has a lot to say about the fear of being alone, the act of voyeurism, and the loss of identity, but it also works as a twisty mind-bender of a thriller -- thanks in large part to the stellar performance s by Madeline Brewer. But is the movie any good? Heck yes. It's a noir-style paranoia thriller about a troubled woman who unwittingly signs herself up to be remanded to an asylum, and things get even twistier from there. As they proved with their first two films, Benson and Moorhead are much more interested in cerebral horror than in jump scares and bloodbaths, but there are a ton of fascinating ideas to be found in this refined and highly intelligent chiller.

Overlord , for example, feels like it could be called Castle Wolfenstein: The Movie. In other words: It's about a platoon of American soldiers who are dropped behind enemy lines and ordered to destroy an important communications tower. That's inside a horrific fortress. In which horrible experiments have taken place. And now there are monsters. Nyman and Dyson adapt their long-running stage play into a horror collection that's not only funny, surprising, and literate, but also pretty darn creepy.

Nyman plays a professional skeptic tasked with debunking three spooky mysteries, and of course he's due for a very rude awakening.

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The Savior Rebirth 2. Eric Filler. Operation Breakout: Merkiaari Wars 4. Mark E. The Island: The Final Chapters. Michael R Stark.

What Neither Star nor Sun Shall Waken: A Sci-Fi Horror Story

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Your display name should be at least 2 characters long. He wasn't free long, though, before he was again arrested and sent to prison for murder. But did he actually do it? Or has justice failed everyone a second time? Some horror stories are too scary to be fictional. Originally debuting on England's Channel 4, it moved to Netflix for the third season.

If you haven't had time to binge watch this series, you're missing out on one of the best and most acclaimed shows on TV, with an amazing cast that includes the likes of Jon Hamm, Hayley Atwell, Domhnall Gleeson, Rupert Everett, and Rafe Spall. There's nothing like it on television. It may take place in the same four-color world as Ant-Man and Guardians of the Galaxy , but Jessica Jones is a universe apart in style and substance. A dizzying descent into manipulation and abuse, both physical and emotional, Jessica Jones pushes the boundaries not just of superhero television, but of television period.

It's a knife cutting straight into the black heart of society's rape culture and exposing the darkness within the recesses of even the purest souls. It's a trigger warning with an itchy finger, so watch at your own peril. Either you dig anime or you don't. That's cool. It's the way of things.

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But for every metalhead who's found himself grooving to a Nas track, and for every Hell's Angel who secretly wiped away a tear at the end of Love Actually , there's always someone who scoffed at Dragonball Z, then tripped into an anime show that they came away loving.

That show is usually Attack on Titan. The story of the last human survivors living inside a walled city to protect themselves from enormous, human-eating giants, Attack on Titan is a smorgasbord of rich visuals, explosive action swords and jetpacks! The downside? The episodes are so short 20 minutes , you find yourself clicking to the next one without thinking about it, and eventually you realize you've wasted a whole day, you're starving, and somewhere in the house there's a baby crying.

Did you even have a baby before you started watching the show? Those freaking cliffhangers! Before Daredevil and Luke Cage rocked our Netflix queues, before American Horror Story let us revel in mainstream gore, there was Dexter — the original blood-splattered, serial-killing antihero and lovable goof. Starring Michael C. Hall as the affable maniac, Dexter premiered in and ran for eight solid seasons of well-meaning slaughter.

It's darkly funny and hauntingly uncomfortable at the same time, a surgical hurricane that socks you in the gut and makes you beg for more. The hook that snagged us for good: Dexter's practical concerns about the safety of eating while driving … while he drives down the road to kill someone. That's just poetry. No, no, not the tepid American remake. But this doesn't have anything to do with Leonardo DiCaprio being eaten by a bear. It's actually much worse than that, as a number of dead people mysteriously return to life with no idea how or why. And then things start getting really creepy.

Check it out, but don't worry about the subtitles; focusing on reading might be the only way to keep calm once the real terror begins. Finally, you just can't have a list of the weirdest and darkest shows on Netflix without a shout out to the granddaddy of weird television, David Lynch's epic masterpiece Twin Peaks.

We'd tell you what it's about, but after more than a quarter century studying it, we still have no idea whatsoever. Suffice it to say that major characters include a dead woman, a psychic log, and a mysterious spirit dwarf. Imagine American Horror Story with the craziness ratcheted up a hundred more notches and you'll start to get an idea what Twin Peaks is like.

But the only way to truly know is to experience it yourself. What are you waiting for? Executive produced by horror master Eli Roth and based on the hit novel of the same name by Brian McGreevy, Hemlock Grove is an original Netflix series that delves into one small town's dark secrets. Turns out it's almost harder to keep those secrets buried than it is to keep the bodies buried, as both the revelations and the corpses begin to pile up.

Oh, and there are werewolves. Imagine True Detective crossed with H. Lovecraft and you'll start to get an idea of the show's tone. Not many people realize that Netflix had a collaboration between Babylon 5 creator J. Not only is the show real, but you can binge watch it right now. Sense8 follows the story of eight people around the globe who suddenly develop a psychic link that allows them to tap into each other's knowledge, skills, and emotions. It's weird, crazy stuff—exactly what you'd expect from people who always deliver the unexpected.

Biblical fact: Gillian Anderson can do no wrong. Between The X-File s, Hannibal , and American Gods , the woman is a force of nature, and one we wouldn't mind getting to know personally.

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And with that kind of line-up, you'd be forgiven for missing her in The Fall , yet another notch on Anderson's slim, gold-plated, Emmy-buckled belt. Are we hero worshiping? We're hero worshiping. Sorry about that. If you're itching for another lightning-paced, hard-hitting crime thriller to fill the hours waiting for another good season of True Detective , look no further than The Fall. Netflix's first original German-language show, Dark is the supernatural time-travel crime mystery series you didn't realize you were missing.

Set in the dreary town of Winden, Germany, it sees the lives and relationships of four families thrown into disarray following the disappearance of two young children. Things get weird, and, through events that are best left unspoiled, the characters are thrust into a compellingly cryptic and creepy mystery that casts them across different time periods, including the s. Think the demented lovechild of Twin Peaks , True Detective , and Lost , and you're about halfway there.

This is a world of dark forests and dead birds and ugly secrets, where the skies are perpetually gray and the rain always pours. If Dark brings to mind another horror-tinged, '80s-set Netflix original about children gone missing under supernatural circumstances, you're not wrong, but it's a comparison that only runs so deep. Where Stranger Things indulged heavily in period nostalgia and a healthy dose of teen and tween angst and camaraderie, Dark is a much drearier, weirder, and darker beast. It's a world steeped in personal tragedy and moral decay, and the ominous atmosphere is downright oppressive at times.

But you know, in a good way. David Fincher and serial killers go together like glitter and unicorns, and with Mindhunter he delves deeper than ever before into those murky depths and the tortured psyches that populate them. Created by Joe Penhall and based on a true crime book by John E. Douglas and Mark Olshaker, this Netflix exclusive charts the early days of the FBI's forays into the psychological profiling of serial killers or "sequence killers," as they they were referred to at the time , and the origins of the behavioral science unit that pioneered these methods. Mindhunter 's most chilling moments come about during dramatizations of real interviews conducted with prominent serial killers of the time, with dialogue adapted directly from actual recordings.

The highlight among these is Cameron Britton's Edmund Kemper, who instills such a potent sense of creepy, articulate horror in his portrayal that you'll probably find yourself afraid to Google the real guy afterward. It's unsettling, fascinating stuff made all the more repulsive by the manner in which it resists embellishment and sensationalism, and the moody, obsessive, impeccably crafted stylings of David Fincher who directed four episodes and executive-produced the show can be felt throughout.

It takes a minute to find its feet, but stick with it. If you like your darkness and gloom served cold, calculated, and painstakingly fact-checked, this is the show for you. Like 's Making a Murderer , The Keepers focuses on an unsolved murder from the past that of schoolteacher and nun Cathy Cesnik in , it uncovers hidden truths and heinous injustices, and it provides a window into the lives of the real human beings caught up in it all. But The Keepers' concerns and implications are more far-reaching, more complex, and in many ways much graver.